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Remember to remove the roof box when you’re not using it, as it can increase your fuel consumption by reducing your car’s fuel efficiency. Driving for long stretches of time without taking a break can lead to driver fatigue. Driving requires concentration and focus, which you can’t maintain for hours on end without taking any breaks.

• The story follows three men who enter the mysterious and guarded Zone, nursing dreams of wish-fulfillment, but that’s hardly what the movie is ‘about’.
• Directed by a childhood uber-fan of the franchise, Gareth Edwards’s prequel (the action’s set sometime before the first Star Wars film) is a punchy standalone action tale about a spunky resistance group within the Rebel Alliance.
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• A man’s chest cavity transforms into a gaping, razor-toothed maw and chomps off his colleague’s arms.
• A modern take on Back to the Future — also featuring an appearance by the original time traveler, Michael J. Fox — the film grapples with highly relevant cultural issues like police brutality while still having fun with high school tropes and time loops.
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• A nightmare comes to life for claustrophobics everywhere, Oxygen is a French-language sci-fi film that thinks outside the box in terms of action.

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Driving at rush hour can also be quite stressful, as other drivers will typically be more aggressive, while driving at night is dangerous for a multitude of reasons – like falling asleep at the wheel. If good weather is your top priority for a perfect road trip, then you’ll want to plan your trip between the months of May and August (in the UK). However, if large crowds tend to get you down, you might consider travelling in slightly quitter months like March, April, September and October. Travelling in the quieter, off-season months might also help you if you’re on a strict budget, with accommodation prices possibly being lower. These tips will help you get road trip ready and ensure your journey is a fun and memorable experience for everyone. Reportedly shot for a mere $7000, writer-director-star Shane Carruth’s deliciously confounding debut shows that great ideas cost next to nothing.

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• But when the project goes awry, Ridder finds himself lost in time, reliving the breakdown of his relationship with early-model Manic Pixie Dream Girl, Catrine (Georges-Picot).
• You know they did a good job when the filmmaker has you sympathizing with both the monster and the citizens rallying to defeat it.
• So much snarky fun is made of the high-minded parallels between this pastel-shaded, slightly campy sci-fi classic and the plot of Shakespeare’s The Tempest that it’s easy to overlook the film’s many original ideas.
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Book lessons, become a instructor or other ways to rev up your driving life. If you have to park in direct sunlight, make use of a windscreen shade on the dashboard to reflect the sun’s heat away. You shouldn’t drive for longer than 9 hours in a 24-hour period, and it’s recommended you take a 15-minute break every 2 hours. If you have a lot of luggage you may want to invest in a roof box, which can be fitted onto a pair of roof bars on top of your vehicle.
Audiences hadn’t seen anything quite like the liquid-metal T-1000, played in human form by Robert Patrick as an emotionless killing machine successfully masquerading as a cop. Watching his head regenerate after it’s shotgunned in half still leaves jaws on floors 30 years later. It was also just straight-up cool, in a way few action flicks ever are. Shoot, the Guns n’ Roses video where Arnold Swarzenegger stalks the band from the floor of the club? Okay, so the sixpence-ha’penny special effects have a rickety, homespun charm. But Hammer’s 1967 horror cult classic (released in America as Five Million Years to Earth) still has a few scares up its sleeve.

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As EW’s critic notes in her review, the film also has some “arresting visual set pieces, including a blizzard white-out that feels like the actual end of the world and a memorable lesson on the physics of blood dispersion in zero gravity.” —R.C. As a comet sets its sights on Earth and prepares to wipe out human civilization, two astronomers (Leonardo DiCaprio and Jennifer Lawrence) rush to warn the world of the impending collision — only to discover the world doesn’t really care. “Based on events that haven’t happened yet,” as the film’s trailer states, Don’t Look Up is a sci-fi satire that skewers climate deniers and government inaction in the face of scientific evidence pointing to looming catastrophe. Online.casino, or O.C, is an international guide to gambling, providing the latest news, game guides and honest online casino reviews conducted by real experts. Make sure to check your local regulatory requirements before you choose to play at any casino listed on our site.

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Two brothers (played by actor-directors Justin Benson and Aaron Moorhead) return to the remote cult they sci bet fled many years ago. The group’s leader, Hal (Tate Ellington) is preternaturally calm, but there are warning signs all around that things are not quite as peaceful as they seem. Gradually transcending its low-budget indie constraints, The Endless builds into a clever piece of sci-fi with some pleasingly bizarre and jarringly violent moments. It is estimated that humans are able to access 10 percent of our brains’ potential.

The result is an opulent and elaborate epic – though it was first shown as a three-part TV serial which plays like Chinatown, if that film’s hero Jake Gittes had traded his cream linen suit for a bank of old-school computers and a sparkly crash helmet. The tension between its highly imaginative central conceit and the available special-effects technology struggling to put it on screen gives movies like Richard Fleischer’s intravenous thriller a special charm that no longer exists in the era of CGI. Rooted in Cold War paranoia, the story has a crack medical team miniaturised in a submarine to venture within the circulatory system of a comatose defecting scientist. Indeed, Joe Cornish’s electric sci-fi action-comedy introduces its young protagonists by having them mug a nurse (Whittaker) who lives in their tower block. There’s no debating that the movie remains firmly in the shallow end of the character development pool, but Lucy makes up for it with stunt work, pacing, and aesthetic.

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